carol ann duffy s the world s wife dissertation

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Carol Ann Duffy’s The Planet’s Wife is known as a collection of poems mainly based around tale, myth and fairytale.  All of these poems feature men characters or perhaps references to them.  Little Red Cap, the first poem presented in the collection uses the storyplot of Small Red Driving Hood to portray guys as wolves ‘In his wolfy drawl, a paperback in the hairy paw’.  She means that men will be dangerous and violent.

‘The wolf, That i knew would business lead me profound into the woods, away from home, into a dark tangled thorny place’.

 ‘One bite, deceased. How wonderful, breakfast during sex, he said. ‘ Also, Duffy implies the manipulative characteristics of males.  ‘Lesson the one that night, breath of the wolf in my car, was the take pleasure in poem’.  The poem shows Duffy’s perspective that males are poor and easy to tempt with prospects of pleasures with the flesh.  ‘I made quite sure he spotted myself, sweet 14, never recently been, babe, waif, and bought me a drink’.

This poem depicts in various derogatory terms, indicating an attack in men generally speaking.  Thetis, the next poem to be found in the collection, looks at males from a different sort of perspective. While Little Crimson Cap portrays men while weak and pathetic, Thetis shows how men can be overpowering and possessive.  Throughout the poem, the woman is trying to escape from your man.  She changes their self into numerous animals to be able to flee from him, but it is in vain.  ‘I shrank myself to the size of a bird in the hand of your man.

Nice, sweet was your small track that I did, till I felt the squeeze of his fist’.  This gives the reader using a very highly effective, masculine graphic, portraying men as taking over and consuming.  ‘Mermaid, me, big seafood, eel, dolphin, over the ocean the fisherman came with his hook, his line and his sinker’.  However much your woman tries, the woman cannot avoid the man in her life’.  Mrs Tiresias, a composition explaining the sex change of the narrator’s husband could possibly be seen as one of the most sexist poems in the collection.

In the poem, Duffy mocks men, ridiculing them pertaining to showing some weakness.  In particular, lines 43-46, describing the person, very troubled at beginning his period, ridicule men for not having the capacity to cope with these kinds of trivial things that women have to cope with on a regular basis.  At the end of the composition the narrator spites the man by launching him with her lover, a female.  This is usually Duffy being derisive toward men, attaining the last giggle, for if the man leaves the narrator to become a woman; she gets him back in the most sarcastic and spiteful way possible.

California king Herod is actually a blatant attack on males, the entire composition being centred around the killing of males to protect the Queen’s blameless daughter.  She orders every mother’s son to be murdered so her daughter is not going to get her heart busted.  Duffy uses various derogatory terms to refer to men including:  ‘Adulterer, Bigamist, the Wolf, the Rip, the Rake, the Rat, the heartbreaker, the Ladykiller’.  This poem accuses men penalized malicious and selfish towards women and means that women are right in these assumptions.  Mrs Faust is obviously very critical of males.

In this composition, Duffy tasks men since greedy:  ‘He wanted more’ adulterous:  ‘Then have his lust to Soho in cab’ and frivolous:  ‘Faust was Capital, Pope, understood more than The almighty, flew faster than the speed of sounds around the globe, lunched; walked for the moon, golfed, hole in a single; lit a fat Havana for the sun’.  I can consent that feminism is a strong theme inside the World’s Better half; however , you will find exceptions to this.  Anne Hathaway is not ridiculing men in anyways it is only celebrating love.

The poem is made up of the reflections of Anne Hathaway (William Shakespeare’s wife) of the life with each other.  She reminisces about the way in which he handled and spoke to her:  ‘A verb, moving in the centre of any noun’ and just how she still remembers their romance and passion.  I deduce that, although The World’s Wife could be viewed as quite sexist, a closer examination of the content with the collection, for example the inclusion of Anne Hathaway contradicts the statement which the collection is known as a ‘callous feminist attack about men’.

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