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Catherine Craven GHUM200, Tu/Th 12: 25 Oct 23rd, 2012 Compare the partnership between Virgil and Dante in Inferno with Sigmund Freud’s discourse on the conscience or super-ego in World and Its Discontents. How does Freud explain and characterize the relationship between super-ego and spirit in the specific? Cite instances of the discussion between Virgil and Dante and assess closely with Freud’s discourse on the psychical agencies, super-ego and spirit: To what magnitude does the dynamic between Virgil and Dante illustrate precisely the same pattern or features? Freud meets Dante: Ego and Super-Ego in Inferno

In his book Civilization and Its Discontents, Sigmund Freud offers an reason why, as people, we tend to reprimand ourselves with guilt, often times in response to menial points. This reason has led to the ideas from the ego, plus the super-ego.

According to Freud, one is responsible for our actions and how the world views all of us, while the other acts as a “watchdog,  or an authority, in times of wrongdoing. An example of those two concepts is a relationship shared between the characters Dante and Virgil during Dante’s composition, The Keen Comedy Amount 1: Dolore.

This relationship consists of an authoritative guide and a sinful follower, and therefore Dante and Virgil represent the partnership between the spirit and the super-ego. In Civilization and Its Discontents, Sigmund Freud asserts that you of the principal and most significant functions of your civilized contemporary society is to control the individual’s natural urges towards aggression. These urges, according to Freud, result from the spirit, which is the element during an individual that is liable for their activities, decisions, ideas, rationalizations, and logical thought.

Therefore , the ego considers things through, and eventually involves decisions and actions, regardless of whether or not really the things made the decision upon or thought about are deemed while “bad by simply society. Furthermore, the spirit seeks to avoid any kind of pain or struggling, and instead attempts out strategies to gain personal happiness. Nevertheless , According to Freud, the super-ego is available as a way to level out the ego, and, in such a way, keep it under control. Therefore , the super-ego is in charge of an individual’s mind, or, all their ability to feel guilt.

Freud continues his explanation of such concepts by asserting the idea that the super-ego calls the attention to our failures and misconducts, and attempts to support us in learning from them in order to avoid making related mistakes later on. Furthermore, the conscience may be the form where the super-ego controls our activities and thoughts, and makes guilt within just us. Consequently , the spirit is the decision-making, acting component to an individual, even though the super-ego will act as the ego’s voice of authority and control (Freud).

Moreover, the relationship between the heroes of Dante and Virgil in Dante’s Inferno stands as an excellent example of the partnership between the spirit and the super-ego. In the opening of the poem, the character of Dante discovers himself misplaced in a place he does not know, surrounded by terrifying beasts. In this dark moment, Virgil, a ghost from an earlier time, comes forwards and reveals to Dante that, because trouble has obstructed his path to God, he or she must journey through hell and purgatory in order to return to life, as he once knew this. This quest, according to Virgil, will allow Dante to overcome his sin and, at last, discover God’s love.

However , Dante does not consider he can finish the voyage alone, after which Virgil assures Dante that he will guide him throughout the entire trip. Virgil takes on the position of Dante’s guide very naturally, and starts him on his trip through heck. Throughout the trip, Virgil guaruntees Dante is usually witness towards the all of the unpleasant punishments that evil obtains in hell, and what will be his fate in the event he does not return to the road of Goodness. However , Virgil does not just physically guidebook Dante throughout the circles of hell, yet also reinforces the moral lessons that he must learn from all of the points he sees.

Furthermore, Virgil acts as a protection over Dante, keeping him safe from wicked creatures, including demons and monsters, even though he really does allow Dante to make decisions and find out lessons hard way frequently. Furthermore, the partnership between Dante and Virgil can easily be as opposed, and made practically parallel for the relationship between your ego and the super-ego. Undeniably, the ego in this scenario is Dante. This can be seen in the way that Dante’s actions before his journey led him to stray from his way to God. As the ego, Dante’s guilty thoughts ultimately led to guilty actions, which often led to Virgil’s intervention.

Also, Dante chooses to complete the trip through hell because he wants more than everything to rid him self of his sins and commence over with God’s love. This embodies the ego because it seeks out happiness, and attempts to avoid any kind of enduring. Moreover, Virgil represents the super-ego, and fully epitomizes the “watchdog label that Freud gave to the term. For instance, the super-ego pushes the ego to recognize failures, which causes guilt. In turn, the ego has a better knowledge of what it has been doing wrong, and is also more easily able to correct wrong doing.

Virgil plays this position in the way that he confronts Dante regarding the guilty life he has led, after which takes him through terrible, thus permitting him to determine what he might become, and motivate modify within him. Another sort of the two character types representing the ego and super-ego is the way that Dante sympathizes with some with the sinners in hell, and Virgil’s a reaction to it. Because Dante interacts with the sinners and reveals them compassion, Virgil does not stop him. However , Virgil is extremely intolerant with Dante, and even more disapproving towards him.

In these scenarios, Virgil performs the part of the super-ego by allowing Dante to make his own decisions and address them, when simultaneously trying to moralize him by triggering incredibly guilt. Eventually, Virgil’s actions operate his benefit, and Dante realizes that he is not really helping the sinners, although merely losing his pity on them. This really is a perfect example of the super-ego using sense of guilt to push changes seems are necessary within the ego. To summarize, Freud’s ego and super-ego are plainly embodied by characters of Dante and Virgil in Dante’s Dolore.

The character of Dante starts the story being a sinful man who is with need of guidance, but that very much desires to find The lord’s love and create a happier life to get himself. The character Virgil then seeks him out in so that it will help and guide Dante through a trip of moral lessons and reality checks, using the power of notion and sense of guilt, as opposed to pressure. Therefore , the relationship between the spirit and the super-ego is evidently illustrated in the relationship and journey from the characters Dante and Virgil in The Divine Comedy Amount 1: Dolore.

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