blake s the chimney sweeper s romanticism was

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Chimney Sweeper

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Romanticism, Bill Blake, Literary, Literary Research

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Blake’s “The Chimney Sweeper “s

Romanticism was an intellectual, literary, and artistic motion that happened during the second half of the eighteenth century. William Blake, an English poet, artist, and printmaker, explores rival views in Songs of Innocence and Songs of Experience, his collection of poems that juxtaposes what this individual considers to be innocent perspectives against the points of views of those who’ve been exposed to the cruelties of life. In “The Chimney Sweeper, ” two poems of the same brand found in Music of Chasteness and Tracks of Encounter, Blake uses religious images and social commentary to discern how perspectives alter based on the individuals’ encounters.

Through the juxtaposition of the chimneysweepers in his poetry, Blake is able to provide commentary on how contemporary society and civilization corrupt and destroy the inherent innocence of children. In Reading Between the Lines: A Christian Tips for Literature, Gene Veith remarks that “civilization was known as corrupting the natural purity of individuals; more simple societies are closer to characteristics and therefore morally superior to officially advanced societies” (182). In addition , Veith is convinced that this strategy is best used on children, which he is convinced are “born innocent and full of imaginative life” (182). However , Blake demonstrates how innocence and experience considerably change could be perspective through the comparison of children who feels he is on a career flight that will get back together him with God and a young child who sees the world as it is, one out of which he has to job to support his family and one in which the federal government and the House of worship turn a blind eye to his misery. Blake’s treatment of the chimneysweeper in Songs of Innocence lines up with Veith’s argument that children are innately innocent, which can be considered to be their particular natural point out of being. On the other hand, experience forces children in an abnormal state and corrupts not simply them, yet also contemporary society as it is tossed into discompose, ultimately making individuals to be corrupt and turn into away from the Cathedral. Blake explores these ideas of innocence and knowledge, and how they are influenced by society and religion, in his complementary “The Chimney Sweeper” poems.

In the Songs of Innocence’s type of “The Chimney Sweeper, ” Blake depicts a young boy that will not understand the deeper and more significant implications of his task. The poem’s narrator whines out “weep, weep, weep” to advertise his services as being a chimneysweeper, while inadvertently dialling to the general public to weep for him because of his tragic condition in life (Blake, Songs of Innocence, 3). The chimneysweeper’s cries likewise allow the reader to better learn how young he’s as it is evident that he does not are able to properly the word mop. In order to emphasize the narrator’s innocence, Blake utilizes religious imagery to demonstrate how the narrator’s faith remains unchanged even though he continues to be forced to be in an environment that claims the lives on innocent children on a regular basis.

In the Tracks of Chasteness “Chimney Sweeper, ” the narrator believes his work as a chimneysweeper serves a

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