compare the ways by which two poets create

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The poems ‘On a Portrait of your Deaf Man’, written by David Betjeman and ‘The Riv God’, authored by Stevie Jones appear because two different poems; one out of monologue type and the additional in a standard form; but they are in fact two very similar poetry. ‘On a Portrait of your Deaf Man’ presents a personality mourning the death of any deaf gentleman who was very close to them, and ‘The River God’ presents a lonely Goodness who is mistreated by people and resorts to murdering women to keep himself business.

Both characters are lonely and the portrayal of the loneliness triggers you – the reader – to think sympathetic towards them. The ‘River God’ is lonely because he is only used by other folks, no one stays on to be with him, they leave – ‘and I like the individuals who wash in myself… or will she go away? ‘ recommending that he enjoys all their company although doesn’t desire them to go as he get’s lonely.

In ‘On a Symbol of a Deaf Man’ the mourner feels lonely mainly because he/she offers lost somebody very close to them – ‘the kind old confront… he required on very long silent walks… when young’ implying these people were close as they have well-known each other since a young era.

Both blame others intended for the conditions that they have identified themselves in. The ‘River God’ blames the women who also ‘bathe in [him]’ intended for his isolation, meaning that out of paralyzing desparation he attempts to keep the ladies with him but in that way ends up eradicating them ‘she lies in my beautiful profound river bed with many a weed’. I believe he is aware of though that he has killed them and that is why this individual keeps these people in the ‘beautiful deep lake bed’; this kind of causes you to truly feel some sympathy for him as he accidentally kills these people but then away of love maintains them in the ‘beautiful deep river bed’. The mourner blames God for the death of the ‘deaf man’: ‘You, Goodness, who deal with him therefore and thus, /Say ‘Save his soul and pray. ‘/You ask me to believe that You and / I only see decay’ describing how God needs to be, but then the fact of asking God intended for things which will aren’t achieved. This causes you to feel sympathetic because you observe someone who asked God to save him but he continue to died – ‘see decay’.

The poems both commence with descriptions of characters. ‘The River God’ begins ‘the kind older face, the egg-shaped head’ and ‘On a Portrait of a Deaf Man’ begins ‘I could possibly be smelly and i also may be old’; the initial description makes you feel miserable that somebody kind and good offers died and the second causes you to feel pitiful for the river, it can not the river’s fault that it’s that way as is actually reflective of old age and the abuse they have had by simply mankind, all of which you would be distraught if you discovered in so you can feel sympathetic towards all of them.

The poets use the loss of life of a person to attract sympathy from you. In ‘The River God’ a woman passes away, one that he was fond of and he was against her about to die; in ‘On a Face of a Hard of hearing Man’ a genial deaf man dies, presumably suddenly; these draw the sympathy since it suggests that they are lonely, within a state of mourning and vulnerable – all of which will be states in which you would not need to find yourself and when the thing is someone else in such a state, you can expect to feel sympathetic and be able to connect with the feelings they are sense.

The poets use the deaths of character types in their poems to create side-personas for the characters throughout the persona with the main-speaking persona. ‘The Water God’ uses the useless woman to offer another perspective of what’s happening, ‘This amazing lady, or perhaps will she go away? ‘ shows this perfectly. The questioning offers her perspective that your woman wants to keep but she’s being placed, leading you to feel sympathetic for her as this huge ‘River’ is holding her captive and she are not able to leave. Nevertheless , it shows the misconception of the ‘River God’ because she is drowned, ‘Oh who does guess what an attractive white face lies there’, ‘white face’ implying she actually is dead, leading you to feel sympathetic once again towards him as he is completely ignorant of all things going on around him. ‘On a Family portrait of a Hard of hearing Man’, the writer uses the deaf man to display what exactly he/she has misplaced through his death, ‘He knew the names of ev’ry bird’.

This kind of shows just how caring having been and this could presumably convert to how he functions to people – kind and caring – and bring about sympathy because you would never need to lose a person so great to pass away. The composition also explains what even more potential to carry out good he previously if this individual knew what was coming, ‘He would have loved to say good-bye/Shake hands with many friends. ‘ This causes a sympathetic response from the reader since again even though he was dying he would have got wanted to demonstrate respect to his close friends rather than merely leaving. It also creates sympathy because the person who has lost this ‘kind’ man can be very upset about his/her death. We come across this the moment he/she blames God pertaining to his death as he don’t save them, ”Save his soul and pray. ‘/ You ask me to believe You and/ My spouse and i only see decay. ‘ – this kind of shows a stage of mourning when you blame other folks for the death you may have experienced.

To conclude, the poets create compassion for their character types very effectively through: descriptions, meanings and powers out of your characters control; all of which appeal to the reader to feel several understanding, pity or empathy towards them. The poets both use the deaths of characters to contrast the sensation of the characters and the thoughts of the deceased to create sympathy.

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