kite runner pomegranate tree dissertation

Essay Topics: Amir Hassan,
Category: Art and entertainment,
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In Khaled Hosseini’s novel, The Kite Athlete, the changing depiction of the pomegranate tree symbolizes the changes in Amir and Hassan’s relationship, which is woven in to the novel’s central theme of desprovisto and redemption. Throughout the book Hosseini describes Amir’s struggle to redeem himself ever since he witnessed the rape of Hassan and stood simply by as a quiet bystander. Amir and Hassan shared a really close friendship doing everything together yet the loyalty between each other was lopsided.

Amir can never meet Hassan’s complete, utter, absolute, wholehearted love and loyalty toward him and this sets up the internal struggle in Amir’s head, because he was sensitive enough to realize the unfairness from the situation. Hosseini uses the pomegranate woods throughout the book as the setting for conveying key situations that influence Amir and Hassan’s romantic relationship. The initial depiction with the tree portrays a safe destination but subtle details inside the passage point to the events that unfold later.

As children, Amir and Hassan put in many several hours under the hue of a pomegranate tree up to hilltop where Amir could read reports to Hassan. Here the pomegranate shrub is a symbol of ease and comfort, a place in which he and Hassan could be alone sharing the straightforward pleasure of storytelling. Amir’s description in the “shadows of pomegranate leaves dancing on Hassan’s deal with depicts the protective part of the forest, a refuge for both friends (28).

The shrub and hillside are emblematic of Amir and Hassan’s friendship; the tree is definitely rooted inside the hill but as the seasons modify both the slope and the forest change and thus does all their friendship. The mention of periods foreshadows just how over time Amir and Hassan’s friendship will probably be destroyed, just as that the rainfall had switched the “iron gate rusty and brought on the “white stone wall space to decay (27). When ever Amir and Hassan return to the pomegranate tree after the rape, Amir says to Hassan he may read him a new history as they walk up the hill and a feeling of hopefulness can be conveyed.

Amir points out that the “grass would still be green. Below the green is definitely symbolic of hope and renewal and it implies Amir’s work to fix his damaged romance with Hassan (91). Nevertheless , when Amir describes the green lawn atop the hill will soon be “scorched yellow it also foreshadows Hassan and Ali’s abrupt departure from Kabul, and the disastrous impact it has on Amir and Effaré (91). Hosseini’s use of the word scorched connotes an event that happens suddenly which is a premonition of worse things to come.

Amir is not able to deal with his memories of their happier times under the tree, and instead of storytelling he decides to provoke Hassan to reproach him to get his individual inaction when the rape occurred. Amir’s futuro motives ” to induce Hassan and never tell testimonies ” will be revealed when he “picked up an overripe pomegranate (92) and punches it at Hassan. The overripe, rotting pomegranate is symbolic of the wound that has been left only too long, the guilt of Amir not really helping Hassan when he was raped.

The pomegranate fresh fruit itself represents the complexness of their marriage; it is a fruits with a hard skin that is difficult to peel off and inside there are beehive-like segments covering hundreds of red pulpy seed. Amir struggles to come to terms with his guilt and tries to steer clear of Hassan at first, but after when he tries to make repay he realizes that for Hassan it is going to never be the same. The pomegranate also alludes towards the forbidden apple from the Holy book, symbol with the original trouble, and thus it serves to foreshadow the poker site seizures that are nearly to unfold.

As Amir hurls pomegranates at Hassan, he consistently calls Hassan a coward, but in reality he is allowing out his own frustration in the hopes that Hassan will certainly retaliate. He is trying to cover his sense of guilt for not intervening when Hassan was raped, almost like Amir is attempting to warrant that Hassan is the coward and not him self. Once Amir stops pelting the pomegranates he recognizes Hassan “smeared in reddish colored like he’d been taken by a firing squad (93). The imagery here represents how deeply Amir’s actions and terms had wounded Hassan.

As luck would have it, it also foreshadows the later death of Hassan, later in the novel, when he is definitely shot with a Taliban shooting squad. When Amir comes back to Afghanistan after receiving Rahim Khan’s letter, he finds Kabul under the Taliban regime fully changed. While Amir moves up the older “craggy hill from his past he realizes that nothing is similar (264). The craggy slope now signifies the ruined Afghanistan. Amir describes that although walking up the hill just about every breath believed “¦like breathing in fire (264).

This simile illustrates simply how much pain walking up the hillside causes an lder Amir now, though it was some thing he performed almost every time with Hassan when they were carefree children. When he actually reaches the pomegranate tree, he recalls Hassan’s letter expressing “the pomegranate tree hadn’t borne fresh fruit in years (264). The barren shrub is symbolic of how their very own friendship was ruined twenty years ago during winter of 1975. But when Amir locates the faded making of his and Hassan’s name on the tree, the simple fact that “it was still there makes the pomegranate tree synonymous with hope once again and displays Amir a way to atone intended for his trouble (264).

Following so many years and so many struggles their particular friendship was tattered nevertheless upon viewing it, Amir finally resolves to get himself to get the remorse of betraying Hassan; a betrayal that became great burden in the shoulders intended for twenty long years through his peace and quiet and inaction. The changes with the pomegranate forest depict the changes in Amir and Hassan’s relationship. We first view it as the plush shady forest from Amir’s childhood in which he and put in countless hours studying stories. Following it appears while the scene where Amir destroys his friendship with Hassan.

And then, it is exact same but now barren pomegranate woods where Amir returns and locates the fading tip of his long lost good friend. Each conflict in Amir and Hassan’s friendship was always in Amir’s component. It was Amir who stayed at silent the moment Hassan was assaulted, it was Amir who tried to provoke Hassan’s reproach by tossing pomegranates by him, however it was as well Amir who made the time and effort at the end to rescue Hassan’s son fantastic nephew, Sohrab. Like the faded carving, Amir’s friendship with Hassan experienced faded although never completely disappeared.

Amir made the worst blunder of his life yet he still had an opportunity for redemption, and this was by rescuing Sohrab from the Taliban and acknowledging him since his own flesh and blood In the event that he didn’t, he knew he would head to his burial plot with the guilt of the bad thing he committed in the winter of 1975. Whilst atonement for one’s sin may be the central theme of The Kite Runner, the pomegranate woods is one of the primary symbols employed by the author to demonstrate Amir’s journey for atonement and payoff in the book. Hosseini’s repeated use of the pomegranate tree is a useful mark to understand the evolving romantic relationship of Amir and Hassan.

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