over a portrait of a deaf gentleman essay

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Lines one and three also have more surpasses in them than lines two and 4. (If you want to get a bit more technical, 1 and three are tetrameters, two and four trimeters! Tetrameters have 4 stresses, trimeters have 3 stresses).


As a reminder of ballad metre, think of the Christmas carol O Tiny Town of Bethlehem. Using ballad metre means that the poem lends itself to being browse aloud and has balance, rhyme and rhythm that are quite lyrical.


Chinese used creates extremes of mood. A pattern evolves whereby Betjeman uses positive, warm images to stir up happy memories: The kind aged face, the egg-shaped head, The tie, discreetly deafening, The usually fitting shooting clothes Then he completely undermines all of this with a picture related to loss of life in the following line:

A closely appropriate shroud.

This also happens in stanzas two, several and seven.

In these stanzas the death images is even worse, bordering about horror: Great his mouth is extensive to letThe London clay-based come in.

maggots in his eyes

¦now his finger-bonesStick through his finger-ends


Although the narrator addresses warmly regarding his late father he doesn’t use euphemisms. (A euphemism can be something said to avoid an agonizing or questionable word or phrase. ) Usually the main topic of death is included with euphemisms including ‘passed on’ or ‘gone to a better place’. Betjeman is more direct about the nature of death, although this can be unsettling.


Loss: Betjeman has to come to conditions with the lack of his father. Lack of faith: the poet person has no beliefs in God.

Loss of life: Betjeman is definitely open and brutal in the physical points in this poem of the associated with death.


One central idea, hinted at throughout the poem however clearly uncovered at the end, is the fact death is the end of life. We do not go to bliss or anywhere else because there is not any God. “I only observe decay. There is certainly, however , the greater positive pitch that one ought to cherish enough time we have with all the people all of us love, since Betjeman naturally did with his father.


Casehistory: Alison (head injury)

* The two poems handle a before-and-after scenario. The current Alison is within some techniques an entirely several character from the pre-accident edition. Betjeman sights the past and present editions of his father in very different techniques. * Viewers will probably experience sympathy in both equally poems. One might feel sorry for the post-accident Alison who has endured brain harm. One may additionally feel sympathy with Betjeman because he features lost his father. 2. Both poetry deal with fatality in one approach or another: Betjeman’s father offers died (as has his faith in God, if it ever existed); Alison is still alive however the Alison with the past is dead.


How can Betjeman present the character of his dad in On a Portrait of any Deaf Man? Answer

Betjeman’s father offers died and the poet writes this keen to shell out tribute to him. To do so , this individual does two distinct things. Firstly, this individual creates an image of the living father as a warm, wonderful man. Secondly, he talks of the present state of his father ” deceased, buried and decaying. The first image is normal in an keen, the second absolutely is not. Betjeman provides an impressive warm, positive image of his father in the opening lines: The kind old face, the egg-shaped head, The link, discreetly deafening, The freely fitting taking pictures clothes The first appositive he uses to describe his father is definitely “kind, establishing a pleasant tone. He then paints a picture showing how his father looked and dressed. The following line is the beginning of the strategy Betjeman uses to create a different character, his father when he is now, a corpse: A closely installing shroud.

Betjeman contrasts the cold image of death with warm thoughts of existence and as a result, it has much more effect. This technique of juxtaposition carries on throughout the composition and as we have to know and like Betjeman’s living daddy, we’re exposed to more image imagery of death: Then when he cannot hear me personally speakHe smiled and seemed so wiseThat now I usually do not like to thinkOf maggots in the eyes.


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