romantic writings essay
Perhaps it is because although the urn exists within a real world that may be subject to change and the effects of time the images reflect remain not affected. Not also the stage sylvan historian in line 3, whilst not responding to any of the poets questions, has a message depending on how you understand the, last stanza. The urn is usually sylvan, firstly because it includes a border of leaves about the vase as well as the scene is set in woods. The phrasing flowery tale and sweetly do not prepare the reader for the fear and wild sexuality depicted in line 8-10, a Bacchanalian practice that involves a sexual pursue.
Also note that twice during lines 6-8 the poet person appears not able to distinguish between fatidico and underworld, men or gods. Could he always be suggesting there is a co-existence and inseparableness or blurring of the differences together. This discussion of opposites turns into more obvious as you re-read the poem. Moving on towards the second stanza let us consider the 1st four lines. Heard songs are fairly sweet, but individuals unheard, Are sweeter, consequently , ye very soft pipes, use, Not to the sensual headsets, but , even more endeared, Water pipe to the spirit ditties of no melody:
Here the poet appears to contrast his ideals with reality once again and how much does he suggest by the paradox of the unheard pipes? Fragile could suggest his thoughts of artwork, love and nature. However, in the last six lines he seems to discuss the negativity of frozen period, notice the terminology and the negative phrasing applied here. canst not keep!, nor ever can and never, never canst Lines 5-8. In line 18 Keats address someone and asks these people not to cry but that is he actually talking to. Is it the reader or perhaps the cavorting statistics on the vase, or even to both.
This negativity must have some value. Consider Keats life during writing, struggling with depression and incredibly ill this is obviously shown in his writing. Stanza 3 returns towards the concepts in the previous stanzas of the forest which are struggling to shed leaves, the music performer and th lover. Living depicted this is an ideal not affected by disenchantment or pain. There is also an element of irony in this stanza as a persons passion depicted by the numbers is also predetermined. All deep breathing passion significantly above.
This really is ironic since the passion is additionally unfulfillable and that this pleasure is not possible and therefore difficult. Looking at a final three lines Keats efforts to reflect real life. Once again there is a return to negative phrasing, high-sorrowful, burnt forehead and parching Tongue. I believe here the poet prefers the urn lifestyle to truth. Notice the repeated use of the term Happy, and a perfect unchanging worked. Searching now at Stanza four, the narrative moves faraway from descriptions of people to public life when he moves on towards the effect that art may have about life.
Just how art can evoke your thoughts and creativity. Not considering individuals yet creating a village in his thoughts where the people would live. An empty area as those are seeing the sacrifice of the cow. As the reader we too are driven by Keats into the dreamed world of the urn. Throughout the final stanza of the poem the poet person observes the urn overall and showcases his remembrances. The poet appears to get involved in the your life of the urn and then comes back to the placement of the observer. Notice just how he identifies the characters on the urn as marble men and maidens, muted form and cold pastoral.
However , the words cool pastural creates a paradox, a great opposite because this relates to the rural existence of shepherds connotations of your simple and calm life. Again a contrast to the image of the Bachanalian ritual. As well notice the use of the word tease in line 44. It could be said that in his utilization of this phrase that Keatss felt that the images around the urn pull the observer out of the actual and in for an ideal globe. Looking at the poem all together, notice just how much of the text message takes the shape of the couplet thus enabling the flowing rhythm with the prose.
The poem has become written in five stanzas. The rhyming scheme in the poem is usually highlighted by punctuation plus the use of indentations. Notice as well that each stanza is made up of eight lines each of approximately a similar length. Inside the final couplet Keats claims that soreness is beautiful. This leads us towards the discussion of the voice inside the poem. Someone has to decide whether this is actually the urns tone of voice or that of Keats. It may be here that Keats is usually casting a philosophical vision on existence in general and not just on the lifestyle depicted in context with the poem.
Authorities of this poem have mentioned that Keats is saying that art is usually superior to character. Whether this statement can be agreed with would depend in whether or not the reader considers Keats to be discussing the urn simply as being a piece of art or perhaps with a deeper appreciation.
Bibliography
Ode on a Grecian Urn By David Keats Loving writings: A great Anthology edited by WR Owens and Hamish Manley Approaching Beautifully constructed wording Prepared by Prosecute Asbee Romantic Writings Modified by Stephen Bygone ch 1-3 Nadine Rogers TMA 03 ID Number M4638132
