alfred lord tennyson two poems term paper

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Ulysses H Grant, Poem Analysis, Wind, Sense And Sensibility

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The feelings is not unlike the effect of the that lotus, being a state of rendimiento. The landscape is lush and in depth, the sort of landscape that might be appealing by itself and that tourists would not wish to keep for its own sake.

Such description starts as the ship apperoaches the terrain and Ulysses tells his men to have courage:

Inside the afternoon that they came on to a terrain

In which this seemed constantly afternoon.

All round the coast the faint, faintish[obs3]; sickly air do swoon

Inhaling like the one that hath a weary dream.

Full-faced above the valley was the celestial satellite;

And, like a downward smoking, the slimmer stream

Along the cliff to fall and pause and fall would seem. (lines 3-9)

Tennyson says this is “A terrain of channels! ” (line 10) and describes all those streams and their effects in some detail. Following making the appeal of the land crystal clear, Tennyson notes the coming of “The mild-eyed melancholy Lotos-eaters” (line 27). The getting together with between the Lotos-eaters and the men fro the ship is described in some detail too, and the modification of the males from individuals seeking to go back home to the people who will claim “We can return not any more” (line 43) and “Our island home / Is significantly beyond the wave, we will no longer roam” (lines 44-45). In Homer, the situation is actually reported, when in Tennyson, the situation is done dramatic, resulting in the Choric Song because the men communicate their different view of the world and their determination to be in this paradisiacal land. Tennyson is interested in the magic of this land and the nearly mystical effect of the that lotus. He is not telling the storyplot from the point-of-view of Ulysses and does not claim anything about what Ulysses performed to counter-top the changes going on in his males. In all those terms, the storyline is conflicting, while what Tennyson will create is actually a poetic image of the transformation and the relationship created between sailors as well as the land, significant in itself presented the usual propensity to describe sailors and their romantic relationship to the marine, as if the land were only a respite ahead of sailing once again.

The poem “Ulysses” was written ten years after “The Lotos-Eaters” and addresses the attitudes and feelings of Ulysses after the events from the Odyssey. The topic of the poem is considered to be as much Tennyson’s recently departed friend Holly Hallam since Ulysses, nevertheless Tennyson discovers in the later years of the Ancient greek hero particular evocations of his friend and of his own melancholy at his friend’s loss of life. Ulysses inside the poem is usually on his death-bed, as was Hallam before, and this permits Tennyson to create a dramatic scenario in which the dying Ulysses echoes to many of his useless sailors. Ulysses by this time offers lost beliefs in the gods, in himself, and even in the future of his kingdom, which loss of trust is the central issue in the poem and could reflect Tennyson’s own questioning of what he has accepted because true in his life.

The sense of loss can be palpable inside the opening lines:

It small profits that the idle california king

By this still hearth, amongst these unwelcoming crags

Match’d with a great aged better half, I mete and dole

Unequal regulations unto a savage race

That hoard, and rest, and nourish, and understand not me personally. (lines 1-5)

The fame of the earlier is gone, plus the man lying down in bed understands he is associated with the past and sees no place for himself or his legacy in the foreseeable future. Tennyson below again uses iambic pentameter as his base which is more stringent about keeping to the inmiscuirse of the old epic, which usually creates a particular irony while the main character despairs for what his life ahs become will not none in the heroic deeds that were associated with that m in Homer.

Jay L. Halio discusses “Ulysses” with regards to poetic objective and finds that the composition is among the divided goal, on the one hand detailing the last moments of Ulysses’s life through his own eyes, and on the other hand memorializing his friend. Haloio says that in this case, “the divided goal acts never to impede the poem, but to make it a more complicated, a more true whole” (392). John Elizabeth. Gurka stresses the importance of persona with this poem, with the poem seen through the eye of Ulysses so that it is definitely his voice that is read, creating a kind of dramatic monologue. Gurka recognizes persona with all the speaking voice, and he sees the voice in the speaker as something that styles the composition and that can end up being compared to the persona in other poems as a way of delving more deeply into meaning (Gurka 205). Another vit finds the poem and its voice to get an expression of “the commencing of fencesitting about Even victorian heroic ideals” (Shaw 611), which can absolutely be justified by the regretful way Ulysses speaks from the heroic ideal he when represented, even though at the same time, the poem ends with what appears an effort to elevate those beliefs just the same:

A single equal temper of heroic hearts

Made weak simply by time and destiny, but solid in can

To endeavor, to seek, to find, and not to yield. (lines 69-71)

The heroic reputation of Ulysses produces the base for this analysis of heroism, the aging process, a decrease of values, as well as the need to keep those ideals if possible. Tennyson makes use of the fantasy in order to treat what hobbies him the majority of, just as this individual used the fragmentary story in “The Lotos-Eaters” since only a starting point for his own eye-sight of modification as the in natural poetry..

Works Cited

Grob, Alan. “Tennyson’s ‘The Lotos-Eaters’: Two Types of Artwork. ” Modern day Philology, Vol. 62, Number 2 (November 1964), 118-129.

Gurka, John E. “The Voices of Ulysses and Prufrock. inches The British Journal, Vol. 55, Number 2 (February 1966), 205-207

Halio, The writer L. inch ‘Prothalamion, ‘ ‘Ulysses, ‘ and Intention in Poems. ” University English, Volume. 22, Number 6 (Mar., 1961), 390-394.

Lattimore, Rich (tr. ). The Odyssey of Homer. New York: Harper Collins, 1967.

MacLaren, Malcolm. “Tennyson’s Libidinous Lotos-Eaters. inches

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